| MPEG LA, a group of patent holders pushing for the adoption of the MPEG-4
digital media distribution standard, has released the Visual Patent
Portfolio License, officially setting the pricing terms for use of the
technology.
Less than six months after controversy erupted over royalty rates set by a consortium of patent holders, the
MPEG-LA group released the licenses which officially sets the fees at 25
cents per subscriber or 2 cents per hour, subject to a $1 million annual
cap.
MPEG-LA spokesman Larry Horn told internetnews.com the licensing
terms were very much the same as those released in July. "We are putting
this out the door now with all the legalities and signatures affixed to it.
MPEG-LA now has full authority to issue and license the technology," Horn
said, noting that licenses can be obtained at the consortium's Web site.
Those terms also set the minimum threshold so that content owners with fewer
than 50,000 subscribers aren't subject to royalties. The fees are applicable
to Web site operators that benefit commercially from use of the technology,
through either paid advertisements, pay-per-view services or subscriptions.
Even as industry watchers continue to question the pricing structure to license the technology, MPEG-LA is
pushing ahead with what it calls a "fair, reasonable, and nondiscriminatory
access" to the MPEG-4 Visual Portfolio License.
The MPEG-4 standard allows a single form of compression on all media players
and it has become quite popular among the developer crowd because of the
ability to add text, animations and graphics in an object-based setting.
QuickTime - MediaCoderWiki::
Apple released the first version of QuickTime on December 2, 1991 as a To create an MP4 file, choose MPEG-4 in the Export dialog.
http://mediacoder.sourceforge.net/wiki/index.php?title=QuickTimeHOME |
It competes directly with proprietary formats from tech heavyweights like
Microsoft and RealNetworks.
Just last week, the group announced it would adopt aacPlus, a component that
enables the delivery of high-quality audio codecs at half the bit rate of
existing technology. The new aacPlus technology, from Swedish firm Coding
Technologies allows audio codecs to deliver streaming, as well as download,
CD-quality stereo at 48 kbps and excellent quality stereo at 32 kbps.
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